Nemo’s art is an interpretation of life starting from medium, it’s decadency and rebirthing. Nemo listens, observes, catches the opportunity, the only-one, trough the interface, the joint. Most of mediums used are woods from the sea smooth and transformed by the water and the time.But stones too, iron, metals, alloy, asphalt, rust, plastic: everything that from nature, from materials, from man action can come out, lifeless objects ready to live a new life. The usage of mediums with a previous life contributes to create unique objects where aesthetic component is more than its function and to interpret the passion and the life which pulps to stop suddenly to start again.
From causality the artist comes to the severity of imposed connection from where he starts again to build a endless dialogue. The interface is the starting: of the chaos with necessity, of the unconscious job of time and nature with the work of the artist; the interface between the slow corrosion of the water with the instantaneousness of the heat of the soldering; the junction between the crash of objects and their resurrection; the overlay of rough and free surfaces and essential order of shapes and lines; the junction between wood and iron, iron and iron, iron and others mediums, in the effort of a possible and aesthetics synthesis between natural elements and human been.
Nemo is researching new balances to create new opportunities of life with the diversity of its perspectives. His art screams passion and loneliness, thirst of wrights and a desperate necessity of leaving his imprint through hazardous shapes and approaches.
Bio: Andrea Zaccaria
Nemo: an interpretation of life starting from medium, it’s decadency and rebirthing.
Nemo listens, observes, catches the opportunity, the only-one, trough the interface, the joint. Most of mediums used are woods from the sea smooth and transformed by the water and the time. But stones too, iron, metals, alloy, asphalt, rust, plastic: everything that from nature, from materials, from man action can come out, lifeless objects ready to live a new life. The usage of mediums with a previous life contributes to create unique objects where aesthetic component is more than its function and to interpret the passion and the life which pulps to stop suddenly in the effort of a possible new synthesis between natural elements and the human mind. From causality the artist comes to the severity of imposed connection from where he starts again to build a endless dialogue.
Curator: Letizia Pini
Letizia Pini works in Communication and Public Relations and artistic sector since 1992. She cooperates with other curators, art critics, magazines and she is the event manager of art projects, art exhibitions, art events and promotes artists. Moulded on the culture, passion, knowledge and history of her country, Tuscany in Italy, with medic, humanistic and sociologic studies, investigations and continuous updating, she interacts with her action with human being and his work from aestetic side to clinc and social one, n unusual but winning, alternative but effective approach to the art and the artist. She starts from relationship with the art work first and then with its foregone and potential refererrings, governing with mastering relationships among things, actions and people. To cure, in all meanings, and to give right value to things, choosing someone among others, permit her an aimed action to translate in words and actions works and value of others for the community. Her range of action respects personal taste and inclination, respecting referring rules both in art both in show business, with music, dance and cinema, media, fashion and no profit. Passion, dynamism, flexibility, creativity, effervescence, optimism and being extremely concrete and in love with life and its potentialities, give a contagious and a interior strength to spend even for the others. To try to understand before talking with anytime different referrings is fundamental for her, as to contextualize artists, their works, initiatives and actions. Everything in a net of interactions among intermedium and last referrings, to bring them to understand several proposals and appreciate their essence, specificity and unicity, transferring them towards other spaces and glances. For the art, for the culture, for the territory, for the knowledge and the growth of society. Part of her work is at disposal on her italian website www.letiziapini.com
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