mercoledì 22 luglio 2009

Lan Hung







Title: Money cat
Media: Video, NTSC,
Length: 2 sec. looping video
Presentation: single monitor or projection with looping video

Maneki Neko (Money Cat)

the story:

The cat "Tama-chan" brings golds to his young master, who had a rich
family but becomes poor because of his gambling-hobby. The young
master decides to follow Tama-chan because it gets thiner and thiner,
and he wants to find out where it finds the golds. Once he realises
that Tama-chan prays to god to exchanges its body to gold, he regrets
his bad hobby but it was too late. He uses the last gold from
Tama-chan and quit his gambling-hobby, becomes rich again afterward.

this is one of the legen of this cat. although it's not the only one
but the "exchanging body to money" (as prostitution) idea comes into
my mind to make this piece.

The work shows two desire of human nature, Material (Money) and Sex
(Genital of a man). Since money was being created, the "artificial
desire" of human-beings was also created. Desire of possession causes
fights, wars, thieves, we say that war is bad, thieves must be
punished.

Sex as a nature desire, which is meant to reproduce generations, and
is defined by moral: porn is dirty, public naked is not allowed,
erected penis is not art (?).

The combination of these two desires, in this tradition symbol, can be
traced, was being used by the society, here is another history about
this cat:

-- One of the most plausible reasons for its rapid rise to popularity
in the Meiji Period involves the sex industry. In the secluded Edo
Period, during which Japan closed its doors to the outside world, an
indigenous "amusement" culture grew side by side with the expanding
power of the merchant class.

Special zones ("Yuukaku;" soap land in modern parlance) sprang up to
provide female companionship (prostitution) and other forms of
merriment. Many "houses of amusement" were equipped with a "good-luck
shelf" on which were displayed lucky charms in the shape of the male
sexual organ. Even today, various localities in Japan still hold an
annual fertility festival, during which a gigantic wooden penis is
paraded through the streets as an offering for good harvests and
prosperity. ---

"if I need money, I wing my dick", prostitution existes in everywhere,
art creation is manipulated by different factors which make artist
prostitute to the art market.

LAN Hungh Biograpy:

Graduated from Taiwan University of Arts and conservatory National of Rueil-Malmaison in France. Hungh's practice consists of performance, music, installations, videos and sculptures, explores the concept of the everyday and life's intimacies. With a mixture of culture his performance functions as a diary and incorporates music and movement of personal experience. His works have reached London, Taiwan, Tokyo, Berlin, Nice, Cologne, Paris, Qadar, Martinique, Switzerland and Italy.

Exhibitions and performances

2009
July 24th "SIGNALS_THROUGH_THE_FLAMES" group show, PHB art space, Berlin
July 10th "Particle Collision" group show, Galerie der Kunst, Berlin
Jun. "#4 Plastic" group show, Aqua Carré Kantine, Berlin
Jun. "Détournement Venise 2009" performance project, 53 Venice Biennale Collateral Events, Venice, Italy
May "#3 Ego" performance, Aqua Carré Kantine, Berlin
May "Knot" International Performance Festival, Georg von Rauch-Haus, Berlin
May "Reliquaries of Empires Dust" group show, Bereznitsky Gallery, Berlin
April "Untitled Star Performance", collaboration with Dovrat ana Meron at .HBC, Berlin
April [nomad / gomad] group show at Aqua-Carré, Berlin
April "Demolition", group show at .HBC, Berlin
Mar. "interzone" group show at Wolstenholme Project, Liverpool, UK
Mar. "Flowmarkt" performance at .HBC, Berlin

2008

Dec. "I'm Horny, Eltn John, and..." 3 days performance, .HBC Karl-liebknecht-Straße 9, 10178 Berlin
Dec. "21,59x27,94 Lettre à Bernard", groupe show, Gallery "Miss China Beauty", Paris
Nov. "Drawing" action at .HBC Kollektiv, Berlin
Oct. "Please do not disturbed" installation and performance, .CHB kollektiv, Berlin
Oct. "TAMAGOTCHI" one week performance project, .BHC kollektiv, Berlin
Oct. "Mallet Forest" performance for "La Nuit Blanche" with Liang Ya-hui, Coopérative, Paris
Oct. 2 Videos for spectacle multimedia "Écart de la poésie"and "La Montagne Tourbillonnante", La maison du culture du Monde, Paris
Jun. "Let's Burn" exhibition with Stephana Schmidt, Gallery-33, Berlin
May Video installation for Wang Sue-ya's music piece for percussionist Daniel Champolini, National concert hall, Taipei
May Video installation for Asia Pacific Quartet's concert, National concert hall, Taipei
April Installation for Chamber Music Works of Taipei Symphony Orchestra, Zhongshan Hall, Taipei
April "Drum and String" performance, Taipei Artist Village, Taipei
Fev. "White hole" exhibition with Tsai Showzoo, Chambord, Taipei
Jan. "SOLOS" installation for solo percussion concert of Wu-shisan, National Taipei University of Arts

2007

"Untitled portraits, Untitled ocean" performance project of Isak Immanuel, Yuko Kaseki and Luigi Coppola, Taipei Artist Village, Taipei
"Let The Children Use It" group exhibition, Kunsthaus Tacheles, Berlin
"Mixed" Group exhibition, Gallery "Miss China Lunch Box", Paris
"L'amour ne peut pas" Collaboration performance, Lunch Box, Paris
Tease Art Fair (with Gallery-33), group exhibition, Cologne, Germany
"Dance with me", solo performance for opening of Tease Art Fair, Cologne, Germany
Collaboration performance, Asian art museum, Nice, France
Collaboration performance for Toyota, Doha, Qadar

2006

Straw to Gold, Solo exhibition, Gallery-33, Berlin
“Sirens” solo performance, Gallery-33, Berlin
“Masque II” Solo performance with live music, Tokyo Bunka Kaikan, Tokyo
“Masque I” Collaboration performance, Art-U Room Gallery, Tokyo
"Anonymous Drawings", group exhibition, Gallery Blütenweiß, Berlin
"Mon petit Poisson" Collaboration performance, Miss China Lunch Box, Paris

2005

"INTIMACY", group exhibition, Gallery “Campbell Works”, London
"La nuit noisy" collaboration performance, la Rue Française, Paris
"Man/ Women/ Chinese Opera" collaboration performance, Miss China Lunch Box, Paris
"Noyau II" Solo (accompaniment: National Taipei Orchestra), Zhongshan Hall, Taipei
"Chu-Go-Hua-Shen" collaboration performance, Dog-Pig art Café, Kao-hsung, Taiwan
"Area" Duet (accompaniment: National Symphony Orchestra) , National Taiwan Concert Hall, Taipei
"Chinese Noise Action" collaboration performance, Palais de Tokio, Paris

2004

"Blue" Solo photo projection, Glaz’art, Paris
"Art’ech" Group exhibition, Paris
"Memmoto", virtual Exhibition, "Nerve.com"

Curatorial

2009 July "SIGNALS_THROUGH_THE_FLAMES" with Shadow cast Organisation, Phb Art Space, Berlin
2009 Mar. "Interzone" group show, Wolstenholme Projects, Liverpool, UK (
http://sites.google.com/site/interzoneproject/)
2008 Dec~ 2009 May "TAOMAC - I, II, III" curatorial project for Gallery-33, Berlin (
http://gallery-33.com/taomac/)
2008 "Ohne Ohren" for Gallery-33, Berlin


Actor

2008 "Berlin loves you" a short film of Dagmar Weaver-Madsen, main actor
2007 "the secret of the Locksmith" a film of Bowel, main actor
2000 "After raining" a film of Andrew Yang, main actor

Other experiences

2008 Dec. Participate performance "Rotliebend: Read to Deconstruct " of Johanna Bruckner and Melissa Steckbauer, at space "Alberto Ukebana", Berlin
2006 Extra scenes and photos for German film "Zärtlichkeiten"

Curator: Pietro Franesi

domenica 19 luglio 2009

Kaj Aune


Biograpy:


Born in Oslo, Norway

Education

2001 - 2006 Composition Studies at the Royal academy of music, Denmark


Scholarships

Working scholarship from The Danish art foundation 2007, 2008 and 2009



2008

"Soundtag" Public space sound art project, Spor festival, Denmark


"Paganins stradivarius" (sound installation) and "Der Fliegende Hollánder" (Video) No more sugar for the monkey, Stattbad, Berlin


"Der Fliegende Holländer" Baer Rideway Exhibitions , San Fransisco


"Der Fliegende Holländer" (Video installation) Tape modern, Berlin


"Down the dirt road" Performance, Tape modern, Berlin


"Phantom of the opera" (Perfomrmance) Hooker projects ,Berlin


"Down the dirt road" (Video), Berliner kunstsalon


"Der Fliegende Holländer" (Installation and performance) Uferhalle, Berlin

2005

Nacht und Nebel – Kunst und Aktionsraum Schillerpalais, Berlin

2007

"Guitargrave " Hairentertainment , Berlin


"Phantom of the opera" Berliner kunstsalon


"Box 5" Und2, Karlsruhe


"Hjertets vår" Nordic Music Days, Sweeden


"Hjertets vår" and "Phantom of the opera" Spor festival, Aarhus


"Hjertets vår" Shown on Ikono Tv


"Hjertets vår" selected as "work of the month" by the web-based magazine, Autograf


"Peder Berntsen entertains with his musical saw in 3/8" Studio performance, Berlin


"Ingirum imus nocte et consumimur igni" Dygong, Copenhagen

2006

"Guitargrave" Crush festival, Aarhus


"Hjertets vår" and "Guitargrave" Reload festival Copenhagen


"Failure" Nordic music days, Iceland


"Hjertets vår" and "Peder Berntsenentertain with his musical saw in 3/8" Berliner Kunstsalon


"Hjertets vår" And "Peder Berntsen entertainswith his musical saw in 3/8"


"For we have brought..." Die erste runde, Berlin

2005-2001

Performances at UNM ,Oslo and stockholm, Crush festival Aarhus, Sirén festival, Göteborg Freiburg.dk Aarhus and Copenhagen, Ilios festival, Harstad, Norway.


Commision works to Henrik Larsen, Claus Olesen, Ensemble 2000, 4 Elements and Duo debout.


Curator: Pietro Franesi

Lai Sheng

作品名称:《人工描述的现实》

Title: artificial reality

这件作品为空间装置作品,整个作品描绘了当下中国社会现实生活的一个微缩场景。作品通过一个普通的中国家庭室内和窗外的人与环境来表现整个中国社会巨大的发展和改变。作品使用用分离和破碎的平面照片来构成立体空间。作品对这种人工景观和当代社会提出问题,并鼓励观众走入画面,去寻找自己的答案。作品中的照片均拍摄自日常生活,窗外的和镜框中的建筑是北京新的地标性建筑,而电视机里的建筑则是北京胡同的老建筑照片。在非常单调和没有个性的室内环境中的时尚男女象征着对全球化生活逐步适应的中国青年一代,他们对传统文化和当代文化的认知和思考是什么?这一切矛盾的现实都构成了人工描述的现实。

This works for the space device works, the whole works depicting the current reality of Chinese society, a miniature scene.Works through an ordinary Chinese family of indoor and out the window and the environment to the performance of the entire Chinese society, great development and changes.Works with the use of the plane separation and fragmentation to form the three-dimensional space photos. Works of such artificial landscapes and to ask questions of contemporary society and to encourage the audience into the picture, to find their own answers.Photo works were taken from daily life, and the window frame of the construction of Beijing's new landmark building, and the TV in the building is old Beijing Hutong construction photos.In a very monotonous and there is no personality in the indoor environment a symbol of fashion for men and women adapt to life on the globalization of China's younger generation, and their traditional culture and contemporary culture, cognition and thinking what?All this constitutes a contradiction of reality to describe the artificial reality.











Biography:

Lai Shengyu Lai Sheng

born in Shaoyang, Hunan Province, P. R. China in 1978, now lives and works in Beijing

Education:

2001 graduated with a Bachelor of Fine Art from the Central Academy of Fine Art

2004 graduated with a Master of Fine Art from the Central Academy of Fine Art

Solo exhibition:

2009 The Lost Place of Heaven, Hunan Provincial Museum, Changsha Canvas International Art at Art Rotterdam, Amstelveen

2008 Asian Contemporary Art Fair, New York

Art Classroom, China Today Gallery, Brussels

2007 They (Ta Men), PYO Gallery, Beijing

2006 They (Ta Men), PYO Gallery, Beijing

2004 There it is and sure it’s Them, Long March Space, Beijing

Group exhibition:

2009 Metropolis, Meridian International Center, Washington D. C.

Chengdu Biennale, Chengdu

Trends in Hunan and Hubei Provinces: A Contemporary Art Exhibition from 1985 to 2009, Guangdong Art Museum, Guangzhou

Transcending Globalisation, Beyond Art Space at 798, Beijing

art Amsterdam, Amsterdam

Future – Together, a nomination exhibition, Arario Beijing, Beijing

2008

Facing reality, the National Art Museum of China, Beijing

Uplifting: An Exhibition of Chinese Contemporary Art, National Art Museum of Singapore, Singapore

New Interest: An Exhibition of Chinese Contemporary Art, Ho-Am Art Museum, Seoul

Dreaming to be a butterfly, Museum of Contemporary Art, Shanghai

Chinese illusion, Casting Museum, Beijing

China International Gallery Exhibition (CIGE), Beijing

Art Cologne, Cologne

ShContemporary, Shanghai

Art Chicago, Chicago

Art Dubai, Dubai

Art Hong Kong, Hong Kong

Korean International Art Fair (KIAF), Seoul

China Now Now, Canvas International Art Gallery, Amsterdam

Beyond reality, Beyond Space at 798, Beijing

Post ’70s Documenta, Beyond Space at 798, Beijing

2007

Floating, National Modern Art Museum of Korea, Seoul

Many RealitiesModern Art Museum of AustriaVienna

Asia New Wave, ZKM, Karlsruhe

Energy: The first Today’s Documents 2007, Today Art Museum, Beijing

The Body Change of the Dragon, China Square Gallery, New York

Art Fair Dubai, Dubai

Art Chicago, Chicago

Art Cologne, Cologne

KIAF, Seoul

Voltashow, Basel

CIGE, PYO Gallery, Beijing

ShContemporary, Shanghai

Beyond Reality, Beyond Space at 798, Beijing

The New Literati, Osage Gallery, Singapore

2006

Without Boundary, Beijing PYO Inaugural Show, Beijing

Cold Energy: Emotion and Power, PYO, Beijing

Beyond Experience New China, Arario Beijing, Beijing

The Beautiful Life, Song Zhuang Art Museum, Beijing

Body-Out of the Body, Chambers Fine Arts, New York

2nd Reality, a tour show on contemporary Chinese photography in EU countries

Made in China, Chinese art and film festival, Berlin

China Today: Images of Changing World, Sammlung Essl Museum, Vienna

CIGE, China International Trade Center, Beijing

KIAF, Seoul

Art Cologne, Cologne

Art Beijing, Beijing

Chinese Contemporary Art Documents, The Millennium Museum, Beijing

Beyond Beijing, Hong Kong Osage gallery, Hong Kong

Collection of Chinese Contemporary Art, Tang Guo Bing’s MoCA, Changsha

2005

To each his own, Zero Factory at 798, Beijing

Grounding Reality, a contemporary Chinese art show, Seoul Art Center, Seoul

Transparent Box: Limited space and unlimited extension, Jianwai SoHo, Beijing

2nd Reality, Berlaymont Building, European Commission, Brussels

Collaboration, a young Chinese contemporary art show, Amsterdam

2004

1st Da Shanzi Art Festival at 798, Beijing

2003

16th Nationwide Printmaking Exhibition, Chengdu

8th Nationwide Exhibition of Three Printing Medium, Chengdu

Sino-Egypt Art Exchange Exhibition, Cairo

2002

7th Nationwide Exhibition of Three Printing Medium, Wuhan

15th Nationwide Print-media Exhibition, Guang Dong Provincial Museum of Art, Guangzhou

2001

Exhibition of Excellent Work by Graduates from Eight Leading Art Schools of China, China National Gallery, Beijing

International Printmaking Exhibition by China, Japan and South Korea, Seoul

Awards:

2006 The Best Young Artist Award nominated by art critics out of the exhibition titled The Chinese Contemporary Art Documents

Chinese Contemporary Art Award (CCAA) candidates

2004 Excellent Award for MFA graduation work at the Central Academy of Fine Arts

2001 First Prize of Okamatsu Family Art Fund of Japan, and Gold Prize of Graduation Work Exhibition of the Central Academy of Fine Arts

简历

赖圣予 (赖 盛) 1978 出生于中国湖南邵阳 现工作、生活在北京

2004 赖圣予毕业于中央美术学院版画系,获硕士学位

2001 赖圣予毕业于中央美术学院版画系,获学士学位

个展

2009 失落的天堂”, 湖南省博物馆, 长沙

THEY个展, 鹿特丹艺术博览会,鹿特丹

2008 THEY个展, 亚洲当代艺术博览会, 纽约

艺术教室”, 比利时今日中国画廊, 布鲁塞尔

2007 THEY 个展, 表画廊, 北京

2006 TA MEN个展, 表画廊, 首尔

2004 所以是他们及这就是他们”, 798长征空间, 北京

群体展览

2009

都市中" - 中国当代艺术展, 子午线国际空间,华盛顿

成都双年展,成都

两湖潮流——湖南·湖北当代艺术展1985—2009广东美术馆,广州

超越全球化,798别处空间,北京

阿姆斯特丹艺术博览会,阿姆斯特丹

同行未来提名展,阿拉里奥画廊,北京

2008

面对现实,中国美术馆,北京

向上中国当代艺术展,新加坡国家美术馆,新加坡

新趣味-中国当代艺术展,湖岩美术馆,首尔

上海MOCA双年展-梦蝶,上海当代艺术馆,上海

中国幻想,铸造美术馆,北京

中国国际画廊博览会,北京

科隆艺术博览会,科隆

上海当代艺术博览会,上海

芝加哥艺术博览会,芝加哥

迪拜艺术博览会,迪拜

香港艺术博览会,香港

韩国国际艺术博览会,首尔

中国现在现在,CANVAS画廊,阿姆斯特丹

后场,798别处空间,北京

70后艺术文献展,798别处空间,北京

2007

浮游——中国艺术新一代,韩国国立现代美术馆,首尔

多种现实,奥地利国家现代艺术博物馆MOCA,维也纳

亚洲新浪潮,ZKM博物馆,卡尔斯鲁厄

首届今日文献展,今日美术馆,北京

奥地利维也纳SAMMLUNG ESSL美术馆收藏展,美术馆,阿姆斯特丹

龙的变身,中国广场艺术空间,纽约

迪拜艺术博览会,韩国现代画廊,迪拜

芝加哥艺术博览会,表画廊,芝加哥

科隆艺术博览会,表画廊,科隆

韩国国际画廊博览会,表画廊,首尔

VOLTASHOW,韩国现代画廊,巴塞尔

4CIGE,表画廊,北京

上海国际当代艺术博览会,上海展览馆,上海

别处现实,798别处空间,北京

新知识份子,新加坡奥莎画廊,新加坡

2006

无界——表画廊北京开馆展,北京

冷能——情感与力量,表画廊,北京

` 超验的中国当代艺术展,阿拉里奥画廊,北京

歌颂我们美好的生活当代艺术展,宋庄美术馆,北京

此身界外——当代艺术展,前波画廊,纽约

第二现实——中国当代摄影展欧洲巡回展,欧盟

中国艺术与电影节MADE IN CHINA,柏林

今日中国——当代艺术中的转世魅影, SAMMLUNG ESSL美术馆,维也纳

第3届中国国际画廊博览会,中国国际贸易中心,北京


Curator: Lu Hao

http://nybiennaleart.blogspot.com/2009/07/lu-hao.html

Tang Hui


Project: SQUARE

Size: 120cmX30cmX9

Date: 6/2009

Medium: aluminium\ cardboard\ gold\ pencil sketch


唐晖作品方案

作品题目:广场(系列作品)

作品尺寸:100X30cm─六组

作品材料:铝塑版、白板纸、金属支架

此组作品是要通过最简单的方式诠释广场这一特殊环境在人群居住建筑中的特殊性。符号包括:纪念性的建筑、广场、台阶、纪念碑、人物雕塑、植物等。

作品试图营造一种崇高精神圣地广场强调艺术家可以通过接近真实的细致描绘实现一种假想,追忆和暗示。表达无法拟补的现实生活和精神的圣地遗失的遗憾,对记忆中,过去曾经的神圣广场的某种追忆的情绪的释放。

材料与制作:金属板上的手绘黑白铅笔素描和金属板上的单色纸制模型、黏土及灰尘。其中黑白素描的内容无真实景物的参照,纯为我的回忆和想像的描绘,历时时间较长。展示四幅。模型的内容也无真实景物的参照,纯为本人手工制作,历时15天左右。展示两组。作品为我的手工描绘和手工制作,强调艺术家的原始自我表达,与观看者的直接对话和沟通。






广场系列作品由素描作品4件(看空间情况来确定),每幅作品的尺寸为120X30cm,建筑模型的尺寸单个为120X30cm,将由两个拼接而成,安装完毕后,将灰色尘土洒在模型上面,并且在地面上也有尘土搭配,范围正好是建筑模型板的宽度。




素描作品材料为 铝塑板,背面为铝合金框架。




建筑模型为纸制,表面质感处理。模型树木雕塑为轻质纸黏土材料。











Curator: Lu hao

http://nybiennaleart.blogspot.com/2009/07/lu-hao.html

mercoledì 1 luglio 2009

° Lu Hao

Biography:

1969 Born in Beijing, P.R. China. Lives and works in Beijing.

Main Solo Exhibitions

2005 “The Art of Lu Hao”, Goedhuis Contemporary Art Museum, New York, U.S.A; “Lu Hao’s post-95 works”, Art Now Gallery, Beijing, China; “Lu Hao Solo Exhibition”, Tokyo Gallery, Tokyo, Japan 2006 “Vanishing Homeland: Lu Hao’s New Works in 2006”, He Xiangning Art Museum, Shenzhen, China; “Lu Hao Solo Exhibition”, Arario Gallery, Seoul, Korea; 2007 “Shooting 10000 Arrows at the Same Time”, Galrie Urs Meile, Beijing, China; “Vanishing Homeland”, Vanessa Art Center, Jakarta, Indonesia; 2008 “Landscape”, Beijing Commune, Beijing, China; “Replicated Memories”, Cheng Xindong Space for Contemporary Art, Beijing, China

Main Group Exhibitions

1999 “Beijing in London Contemporary Art Exhibition”, Institute of Contemporary Art, London, UK; “dAPERTutto-The 48th Venice Biennale”, Venice, Italy; 2000 “Our Chinese Friends”, ACC Gallery & Bauhaus-Universität Gallery, Weimar, Germany; “The 5th Lyon Biennale, Lyon, France; “Documentation of Contemporary Chinese Art”, Fukuoka Asian Art Museum, Fukuoka, Japan; 2001 “The 7th Istanbul Biennale, Istanbul, Turkey; “Living in Time, 27 zeitgenössische Kunst aus China”, Hamburger Bahnhof, Berlin, Germany; 2002, “The 4th Shanghai Biennale”, Shanghai Art Museum, Shanghai, China; “Chinese Art - Contemporary Art from China”, Küppersmühle Museum, Duisburg; “Urban Iconography, the 25th Sao Paulo Biennale”, Sao Paulo, Brazil.

2003, “Alors la Chine ?, Georges Pompidou Centre, Paris, France; 2004“Body - China”, Maseille Museum of Contemporary Art, Marseille, France;“Pusan Biennale, Pusan, Korea; 2005, “Land on Reality - Contemporary Chinese Art Exhibition”, Seoul Art Center, Seoul, Korea; “Follow Me – Contemporary Chinese Art Exhibition”, Mori Art Museum, Tokyo, Japan; “Wall - Contemporary Chinese Art Exhibition”, Millennium Art Museum, Beijing, China; “Mahjong Chineieche Gegenwartskunst aus der Sammlung Sigg, Kunstmuseum Bern, Berne, Switzerland; “Archeology of the Future The Second Chinese Art Triennial Exhibition, Nanjing Museum, Nanjing, China; 2006 “Mahjong – Chineieche Gegenwartskunst aus der Sammlung Sigg, Hamburger Art Museum, Hamburger, Germany; “Pusan Biennale, Pusan, Korea; “Jiang Hu – Contemporary Chinese Art Exhibition”, Tilton Gallery, New York, USA; 2007

“Documenta12”, Kunsthalle Fridericianum, Kassel, Germany; “China Welcomes You”, Kunsthaus Graz, Graz, Austria; 2008 “The 7th Shanghai Biennale”, Shanghai Art Museum, Shanghai, China; “Our Future - The Guy & Myriam Ullens Foundations Collection”, UCCA, Beijing, China.

Curator: Pietro Franesi