venerdì 29 maggio 2009

Tamiko Kawata - Installation

DEVORARE.COM.TAMIKO

This is an installation that contains elements of sculpture, painting, writing and participation of public.

One is an audience participated sculpture made of the accumulation of shredded paper. Approximately 300 phrases of my thoughts, secrets and memories are printed on individual sheets of paper, which can be read by the public and then shredded. The public is invited to contribute the own phrases. The color of the paper will determine the color of the sculpture. See the image from previous installation.

Combining is a transparent box, approximately 10' wide, 8' high and 4" deep adjacent to the shredder will be on the wall as a painting. This will contain previously shredded paper by a New York City office (financial office or an health center) that I collect in certain period of time prior to the exhibition, it will be in form of mountain that will suggest the return of waste paper to the earth and it is an echo of shredder sculpture.

Bio:

Born: Kobe, Japan

Education: BA, Sculpture, Tokyo University of Education (Tsukuba University), Tokyo,

Japan

US Citizen: 2004

SOLO EXHIBITION

2003

- Hudson Guild Gallery II, New York, NY

2002

- Recent & Collected Works: Disjecta Gallery, Portland, OR as a part of Japanese Festival of Portland Art Museum, Portland OR.

2001

- “Passing Life” - Four Falls, site specific installation, Florence Lynch Gallery, NY

1997

- “Transformations”, 3 large scale outdoor installation using the Reserve’s trees and ground, with 35 works for gallery space. LongHouse Reserve, East Hampton, LI, NY

1998

- “Rain Forest,” site-specific installation for 45’x30’ space. Vibrant Gallery, NY, NY

1996

- Installation for Green Windows, SOHO 20 Gallery, NYC (non-member

- Invitational exhibition)

1991

- “Tamiko Kawata Exhibition”, Matsuya Gallery, Tokyo, Japan

SELECTED GROUP EXHIBITION

2009

- “Office Space”. Rockland Center for the Arts, Rockland County, NY

2008

- “Art Basel NY: New Art Miami”, NY NY

- “Office Space”, Newton Art Center, Newtonville, Boston, MA

2007

- “25th Anniversary Exhibition of Ruth Chenven Award Recipients”, NoHo Gallery, NY NY

- “Art Besel: New Art Miami” by DM Contemporary, Miami, FL

- “Ornamental Instincts”, Wave Hill House, Wave Hill, Bronx, NY

- “SOFA Chicago: Browngrotta Arts”, Chicago, ILL

- “Drawing Now”, DM Contemporary, Mill Neck, NY

- “Make the Most of It: Eight Artists”, Islip Art Museum, East Islip, NY

- “Obsession Obsession”, The Center Gallery, Demarest, NJ

2006

- “Tag Projects: Growing up in Public”, Repetti Gallery, Long Island City, NY

- “Barbara Cohen & Tamiko Kawata”, Kobalt Gallery, Province Town, MA

- “Site Specific 2006”, Carriage House, Islip Art Museum, East Islip, NY

- “Second Anniversary Exhibition”, DM Contemporary, Mill Neck, NY

2005

- “Multiples: Yoonjo Chun, Tamiko Kawata, Wen-Fu Yu”, Tattfoo Gallery,

- S.I., NY

- “Extraordinary” Tamiko Kawata, Eung Ho Park, Sally Shore at DM

- Contemporary, Mill Neck, NY

- “American Academy Invitational Exhibition of Painting and Sculpture”, American

- Academy of Arts and Letters, NY, NY

2004

- “Obsession” Haddad Lascano Gallery, Great Barrington, MA

- “Meditation in New York”, 473 Broadway Gallery, New York NY

- “Reduce/Reuse/Re-examine”, Glyndor Gallery: Wave Hill, Bronx, NY

- “Mercurial” Tamiko Kawata, Gloria Kisch, Daniel Rothbart: Williamsburg

- Art & Historical Center, Brooklyn, NY

- “Overhead Underground:Reimagining; The Faerie Landscape” Le Petit

- Versaille Garden, NY, NY

- “A.I.R. 5th Biannual”, A.I.R. Gallery, New York NY

2002

- “Masako Ishii & Tamiko Kawata”, Takano Art Gallery, Tokyo Japan

- "Painting Lately" Abstract Work: Henry Street Settlement Abrons Art Center, NY, NY

2001

- "Air, Space & Water Museum", HEREart, New York, NY

- "That Which Remains" The Lowe Gallery at Hudson Guild, New York, NY

- “Wired Works”, browngrotta arts, Wilton, CT

- “Skein: Five Artists”, Contemporary Craft Gallery, Portland, OR

- “Site Specific 2001” -Wavelets, Carriage House, Islip Art Museum, East Islip, NY

2000

- “Fifteen Asian American Artists”, University Art Gallery. Staller Center for

- the Arts, Stony Brook State University of New York, Stony Brook, NY

2000-01

- “Nature of Fiber,” outdoor installation, Stone Quarry Hill Art Park, Cazenovia, NY

1999

- “As If Alive: Animate Sculpture” New Jersey Center for Visual Arts,

- Summit, NJ

- “Transformations”, OMNI Gallery, Uniondale, NY

- “Generations II: A Survey of Women Artists at the Millennium,” A.I.R. Gallery, NY, NY

- “Elements 2000,” Snug Harbor Cultural Center, Staten Island, NY

- “Stillness Within,” Three-artist exhibition, Elsa Mott Ives Gallery, YWCA/NYC, NY, NY

- “Contemporary Arts of New York State,” New York State Museum, Albany, NY

1998

- “A.I.R. Third Biennial Exhibition,” A.I.R. Gallery, New York, NY

- “Staten Island Biennial Exhibition,” Staten Island Institute of Arts & Science

- Museum, SI, NY

1991

- ‘Three Artists”, Rochester University Museum, University of Rochester, NY NY

1986

- “Fiber R/Evolution”, University Art Museum, The University of Wisconsin Milwaukee, Milwaukee, Wisconsin

1979

- “ Works of Women”, Unesco, Paris, France

1978

- “Small Textile Exhibition”, Craft Centre of London, London, England


GRANTS & RESIDENCY AWARDS:

- 2006 Pollock/Krasner Foundation Grant

- 2005 New York Foundation for the Arts 2005 Grant

- 2004 Serie Project for screen printmaking: Austin, TX

- 2002 MacDowell Art Colony Residency

- 2001 New York Foundation for the Arts, Yaddo Art Colony: Louise Bourgeois Residency Award for a Sculptor

- 2000 CANYS Grant for New Project: (Craft Alliance of New York State), Blue Mountain Center for the Arts Residency Award

- 1999 Edward Albee Art Center Residency Award

- 1998 Ruth Chenven Foundation Grant for New Project

- 1997 The Millay Colony for the Arts Residency Award

- 1998 ESCA (Empire State Craft Alliance of New York State) Grant for New Project.

- 1991 ESCA (Empire State craft Alliance of New York State) Grant for New Project.

COMMISSIONS & COLLECTIONS:

- 2008 Ground for Sculpture, Hamilton, NJ

- 2007 Philip & Shelley Aarons Art Collection, LI, NY, DM Contemporary for Permanent Collection, LI, NY

- 2006 Museum for Arts & Design, NY, NY

- 2002 Yusuke Aida Collection, Tokyo, Japan, Ishiguro Art Collection, Tokyo, Japan

- 2001 Stone Quarry Hill Art Park, Outdoor sculpture: August Grove, Cazenovia, NY

- 1999 LongHouse Reserve Permanent Collection, East Hampton, NY, Lloyd Catsen Collection, San Francisco, CA, Jack Lenor Larsen Collection, New York, NY

- 1991 Yusuke Aida Collection, Tokyo, Japan

- 1986 Davis Brody Bond, Architects, New York, NY

- 1982 PREC Institute, Tokyo, Japan

- 1978 Buenno Premesela Art Collection, Amsterdam, Holland

PUBLICATION & REVIEWS - list of year, after 1999

Reviews *The Boston Globe:Office Space”. January, 2008

*The Daily News Tribune: “Office Space”, Januuary 2008

*The New York Times Westchester Art Section “Wave Hill : Ornamental Instinct

2007”, December 2007

*The New York Times Long Island Art Section, October 2007

* Newsday: Friday October 19th by by Ariella Budick & October 26th, 2007”

* The New York Times Long Island Art Section by Helen A, Harrison

* Sculpture Magazine on-line, September 2004 issue: Mercurial show by Joel

Simpson

* New York Arts Magazine, May/June 2004: Meditation in New York by Lori Ortiz

* The New York Times, Sunday, May 2, 2004: Reduce/Reuse/Re-examine by

William Zimmer

* Brooklyn Rail, March 2004 by Denise McMorrow

* New York Art Magazine, December 2003 Joel Simpson

* Tokyo Shinbun: Essay , December 22nd, 2002 by Minoru Fukada

* Yomiuri Shinbun: Art section. December 18th, 2002

* Daily Yomiuri: Art review, December 14th, 2002 by Asami Nagai

* The Sunday Oregonian: Art Review, June 28, 2002 by Melissa Coleman

* Willamette Week (Portland, OR) : Art Review June 12, 2002 by Lisa Lambert

* The Sunday Oregonian: Art Review, July 22, 2001 by Bob Hicks

* New York Times: Long Island section, Art Reviews, July 15, 2001 by Helen A.

Harrison

* Sculpture Magazine: Focus, May 2000 issue by William Baran-Mickle

* New York Times: Long Island Art Section, June 2000 by Helen A. Harrison

* Changing Art’s Very Fiber: Syracuse Herald American/Stars, Sep 2000 by

Katherine Rushworth

* Profile of Tamiko Kawata: Stone Quarry News, Sep 2000 by Margaret Potter

* Two Artists’ Concept: Gekkan Bijutsu*, Sep 1999 by Miyako Yoshinaga (M.Y.

Art Project Gallery)

* Tamiko Kawata’s Outdoor Sculpture: Geijutsu Shincho*, Oct 1999 by Manami

Fujimori

* Fiber Art: Main Stream. Jack Lenor Larsen

Catalog: After 2000

*Office Space: 2008, New Art Center, Elizabeth Duffy curator, Newtonville,

MA

* Make the Most of It: 2007, Islip Museum, Karen Shaw curator, Islip, NY

* Site Specific 2006: Karen Shaw curator for Islip Museum: Carriage House,

Islip, NY

* Contemporary Skeins: Heather W. Rogers curator for Contemporary Crafts

Gallery, Portland OR

* Site Specific '01: Catherine Valenza curator for Carriage House/Islip Art

Museum, Islip NY

* Fifteen Asian American Artists: Rhonda Cooper Director for University Art

Gallery/Staller Center Stony Brook SUNY, Stony Brook NY

* As If Alive: Animate Sculpture by Sara Henry Corrington: Professor Drew

University, NJ

Nature of Fiber: Nell Znamieroki curator for Stone Quarry Hill Sculpture Park,

Cazenovia, NY


Curator: Pietro Franesi